Paul Alan Barker, Composer

Chamber Music

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Ensemble
Clarinet Quintet
Death & Resurrection Fl, Vl, Vc, Pno
Interludes 2Vl, Vc, Cl
Excalibur Brass dectet
Concerto for 8 as for Schubert Octet
Blue Riffs Sax, Bass gt, pn, drums
Please Do Not Touch 3Cl, perc, harp
Miniatures for Two Oboes 2 Oboes, optional percussion
String Quartet
Kabara II
Bosque para Cámara
Homage to Shostakovitch
Violin & Piano
3 Interventions
Flute & Piano
Dialogue
Solo Bass Guitar/Double Bass or Cello
Seven Dirty Sonnets
Percussion
Stone Song; Stone Dance
 Quartet: Stones and Japanese prayer bowl
The Return of Mullock Tenor Steel Pan
4 Quartets in 3 Movements percussion quartet
 
Ensemble
 
Brodsky String Quartet/Joan Lluna;
PB/brodsky.jpg
In Memoriam: for those who fall in time of war
Clarinet Quintet: in memoriam: for those who fall in time of war
Commissioned by Joan Llluna and the Brodsky String Quartet,
with funds from the Arts Council of England
ON TOUR WITH THE BRODSKY QUARTET & JOAN LLUNA


RSAMD in Glasgow, Scotland, Saturday 2 May 2009
Trinity College of Music, London, Saturday 18 April 2009
Landschaftspark Duisburg-Nord, Gebläsehalle, Germany, 26 April 2008
Galloway Arts Festival, Ireland, July 2007
Belgrade, Serbia, 28 June, 2007
The Hague, Holland, 16 June 2007
4-5 June, 2007; In Residence at CSSD, London.
Barcelona, Spain 10.3.2007
Auditorio Eduardo Del Pueyo, Zaragoza, Spain, 19th  June, 2006
Festival De Las Artes De Castilla y León, Salamanca, Spain; Teatro Caja Duero, 17 June 2005
Blackheath Concert Hall, London, UK, 7 May, 2005
Televised for Canal 22, Mexico, 2005
Festival del Centro Historico, Mexico City, Mexico, 16th April, 2005
Chipping Norton Theatre, Oxon. 12th February 2005
Premiere: Jacqueline Du Pres Music Building, Oxford University, 13th November, 2004


Video excerpt from
In Memoriam: for those who fall in time of war
 
Death & Resurrection
Flute, Clarinet, Violin, Cello & Piano (2006)
Chamber music theatre, commissioned by Onix ensemble of Mexico.
This is a personal work that is related to techniques and ideas common to recent compositions such as my Clarinet Quintet (2004) and Songs Between Words (2003).
They explore gestural composition – a visible and perhaps inaudible representation of music beyond music, presented here as a kind of transfiguration with which the present work ends. The work would be best presented played from memory by the flautist, positioned at the centre of the small ensemble, as if a flute concerto in miniature
 
Interludes
2 Violins, Cello & Clarinet.
A set of mobile compositions.
For Peter Sheppard Skaerved and premiered by him in 2008.

 

Excalibur
Commissioned for London Brass with funds from SE Arts,
premiere 21.2.93.
Arts Council Contemporary Music Network Tour, 1994.
4tp,hn,4tb,tba.
ca 20 mins

 

Concerto for 8
Mixed ensemble
Commissioned for London Mozart Players Chamber Ensemble
premiere July 6,1995 at Henley Festival.
cl,hn,bn,st5et
ca 20 mins

 

Blue Riffs
Mixed ensemble
Commissioned with funds from RVW Trust,
premiered Edinburgh, 1986.
alto/tenor sax, electric bass guitar, amplified piano, drums.
ca 20 mins

 

Please Do Not Touch
Mixed ensemble
premiered Gemini
at Durham University Music Society 1983:
3 clarinets, perc (3 drums), harp;
ca 12 mins
5 Miniatures for 2 Oboes
Premiered Guildhall School of Music, 1977;
ca 12 mins;
Also version for 2 oboes with percussion

 

String Quartet

Kabara II
A 1936 cylinder recording of a woman in South Africa called Kabara singing what may be a lullaby to her baby, Matabab is the only evidence we have that the Kulkhaasi language.TYhe recording becams rthe basis for my song Kabara's Lullaby. Kabara II transcribes the song for a speaking string quartet.

 

 Bosque para Cámara
In 2003 he was awarded a UPX bursary from CONACULTA/ Mexico to realise an installation Bosque para Cámara in collaboration with the video artist Rafael Ortega and the Latin American String Quartet. Over several months, thousands of people walked into the box where the quartet played for them apparently in a wood at the far end. As the audience drew close to the image the sound of birds gradually obscured their music, as they left, the music returned.

Bosque/Bosque3.jpg Bosque/Bosque2.jpg Bosque/Bosque1.jpg

Listen to Bosque para Camara

also see
Homage to Shostakovitch
For SATB & String Quartet, commissioned by Phillip Parr for the Swaledale Festival, 10th June 2006 for the Pro Nobis Singers & Navarra String Quartet. This short work reflects some of the intense musical experiences that have marked me by his music. It is suffused by a slow, halting waltz, and references to the sound of the composer's name. It lasts about five minutes before drifting up into silence. Ca. 5 minutes.

 

 

Violin & Piano
3 Interventions  2007
violin and piano
Music stolen from other works recreated for violin and piano

 

Flute & Piano

Dialogue
Premiered 1979, Wigmore Hall
Ann Cherry, Raphael Terroni
ca: 12 mins

 

Solo Bass Guitar, Solo Cello or Solo Double Bass

Seven Dirty Sonnets (1998)
Series of interludes in the structure of a sonnet, originally for bass guitar from the opera Dirty Tricks (1997).
Recorded for piano on CD Turquoise Swans, Sargasso SCD 28035),
also for solo double bass and solo cello.

Tambuco playing Stone Song/Stone Dance,

Barcelona April, 2012 by

www.pedrostrukelj.blogspot.com

Tambuco_05_StoneSong_D.jpg

Stone Song; Stone Dance

Percussion quartet

For 4 players with stones, commissioned by Tambuco Percussion Ensemble 2001 in Mexico and performed and televised widely.

The Return of Mullock

for Tenor Steel Pans

 

Commissioned by Nettlefold Festival with funds from LAB and premiered there by Ricardo Gallardo, September 19,1992. solo tenor steel pan, ca 12mins.

4 Quartets in 3 Movements

Percussion quartet

 

Commssioned by Mexican percussion quartet Tambuco and premiered by them at the Festival Cervantino, Guadalajara, Mexico, 1994; recorded on CD, 1995. 19 drums, ca 15 minutes.

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